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This thesis is the creative concept of the poetry collection of [Female Writing of Hakka Modern Poem：My Life Experience and Works] graduate work. The content of [The Breeze of Hsinchu] poetry collection is staged in the author’s hometown of Hsinchu, with every titbit of her own experience growing up in Hsinchu. The author presented the poetry collection in contemporary style poetry, using the Hakka Dialect of Chinese, a collection of author’s life stories. The collection is in five series, with a theme for each series.
This research is based on “contemporary Hakka woman poet’s life stories and works” as main theme, writing in Hakka Chinese. The first chapter described the purpose and cause to write poetry. The purpose can be long term cause and proximate cause. The reason to write? Also the principle behind the Hakka Han characters, Pinyin, and tone mark. Chapter two explained author’s concept for the work, academic foundation. Probing the Hakka three “Fang” women poets’, Tu Pan, Fang-Ge, Li,Yu-Fang and Chang,Fang-Tzu Hakka contemporary poetries, exhibiting the “female writing” and explaining the meaning of “female writing”. Chapter three is author’s own course of writing contemporary Hakka poetry. And when was the interest in writing contemporary poetry began. In the process of writing, due to couple of character changes, affected the meaning of the poetries. Awards, experience with working with others and the publication of works. Chapter four is about [The Breeze of Hsinchu]’s “female writing”, before the “proposal” , from unconsciously writing “female consciousness”, to after “proposal”, consciously writing “female consciousness, touching author’s inner self-realization and writing about society. Chapter five is the conclusion, probing [The Breeze of Hsinchu]’s value and contribution, is there a ceiling for a creative work? The direction of future writing and self-expectation.
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