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作者:卡基
作者(外文):Ahmet Cagri Ugurlu
論文名稱(外文):Nietzsche as Educator in Lars von Trier’s Movies
指導教授:David Barton
指導教授(外文):David Barton
學位類別:碩士
校院名稱:國立中央大學
系所名稱:英美語文學系
學號:109122603
出版年:113
畢業學年度:112
語文別:英文
論文頁數:85
中文關鍵詞:Keyword 1Keyword 2
外文關鍵詞:Keyword 1Keyword 2
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这篇论文对弗里德里希·尼采的思想如何影响拉斯·冯·提尔电影中角色和基本概念的发展进行了深入的探讨。在其他尼采后期的思想中,研究将聚焦阿波罗/狄俄尼索斯的二元论、权力意志以及永恒回归,这些哲学基础构成了冯·提尔电影宇宙的形成
This thesis suggests a thorough investigation into how Friedrich Nietzsche's ideas influenced the development of characters and fundamental concepts in Lars von Trier's movies. Among other post-Nietzschean ideas, the study will focus on the Apollonian/Dionysian dualism, the will to power, and eternal recurrence as the philosophical foundations that form von Trier's cinematic universe.
Table of Contents

1.Introduction

2.I. Lars Von Trier's Cinematic Interpretation
2.1.Breaking the Waves Film Analysis.............(Page 3-16)
2.2.Europa Film Analysis ..........------------ (Page 16-27) 2.3. Dancer in the Dark Film Analysis.......... (Page 27-40)
2.4. Dogville Film Analysis.....................(Page 40-46) 2.5. Nymphomaniac Film Analysis.................(Page 46-56)
2.6. Antichrist Film Analysis.................. (Page 56-69)

3.II. Nietzsche's Influence on Character Development in Lars von Trier's Films
3.1.Chapter 2.......................... (Page 70-77)
4.Conclusion........................... (Page 77-79)
5.References........................... (Page 80)


1. Bataille, G. (1985). Visions of Excess: Selected Writings, 1927-1939 (A. Stoekl, Ed. & Trans.; C. R. Lovitt & D. M. Leslie Jr., Trans.). University of Minnesota Press. (Original work published 1927-1939) https://archive.org/details/BatailleVisionsOfExcessSelectedWritings19271939/page/n9/mode /2up
2. Nietzsche, F. (1889). Twilight of the Idols. Penguin Classics.
3. Barton, D. (n.d.). Deck of Cards. In Lazar and Leper Trilogy.
4. Barton, D. (n.d.). Long Shot. In Lazar and Leper Trilogy.
5. Barton, D. (n.d.). End Game. In Lazar and Leper Trilogy.
6. Von Trier, L. (2010). Evil gives you far more strings to pull. But I must say that I have never been interested in the psychology of evil, not in the slightest. Perhaps I'm not interested in evil, but in the dark sides of human beings. In M. Drum and B. Anderson (Eds.), Lars von Trier Interviews (p. 27). University of Wisconsin Press.
7. Von Trier, L. (2007). It’s the opening of Manderlay in Cannes, and I’m sitting next to this guy who’s writing for a tiny fictitious French paper called ‘On the Sunny Side,’ and he’s writing a review on the film, and he's obviously bored. Then he tells me about all the cars he owns, and how rich he is, and all these things... So, at a certain point, he says, 'So what do you do?' Then I take out this very strange hammer we have in the Danish building business, and I say, 'I kill.' And then I kill him. It is as stupid as it sounds.
Cannes Film Festival. https://www.filmlinc.org/daily/entry/lars-von-trier-tells-a-little-
8. von Trier, L. (Director). (1996). Breaking the waves [Film]. Zentropa Entertainments.
9. von Trier, L. (Director). (1991). Europa [Film]. Det Danske Filminstitut.
10. von Trier, L. (Director). (2000). Dancer in the Dark [Film]. Zentropa Entertainments.
11. von Trier, L. (Director). (2003). Dogville [Film]. Zentropa Entertainments.
12. von Trier, L. (Director). (2013). Nymphomaniac [Film]. Zentropa Entertainments.
13. von Trier, L. (Director). (2009). Antichrist [Film]. Zentropa Entertainments.
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