帳號:guest(18.97.9.174)          離開系統
字體大小: 字級放大   字級縮小   預設字形  

詳目顯示

以作者查詢圖書館館藏以作者查詢臺灣博碩士以作者查詢全國書目勘誤回報
作者:林季蓉
作者(外文):Ji-rong Lin
論文名稱(外文):Isabel Archer as a “Fortune-Hunter” in The Portrait of a Lady
指導教授:郭章瑞
指導教授(外文):Chang-jui Kuo
學位類別:碩士
校院名稱:國立中央大學
系所名稱:英美語文學系
學號:102122007
出版年:106
畢業學年度:105
語文別:英文
論文頁數:94
中文關鍵詞:亨利詹姆士仕女圖國際主題女性特質現代與傳統外在因素
外文關鍵詞:Henry JamesThe Portrait of a LadyInternational themesFemininityExternal forces
相關次數:
  • 推薦推薦:0
  • 點閱點閱:86
  • 評分評分:*****
  • 下載下載:34
  • 收藏收藏:0
本論文旨在探討《仕女圖》中,女主角伊莎貝兒˙阿切爾如何在與外界互動過程中形塑自我創造。因此,本文將探討外在三因素,一一檢視它們對伊莎貝的自我形成帶來什麼樣的影響。
在第二章,我將剖析美國與歐洲文化交匯中的各種不同之處,並探討亨利˙詹姆士(Henry James, 1843-1916)對美國與歐洲聯繫的特別關注。透過這些面向的討論,我們不只能更清楚伊莎貝受文化差異影響而產生的改變,亦能進一步了解國際主題在《仕女圖》中存在的特殊意義。
第三章中,我將分析伊莎貝兒面對傳統及現代觀念的差異所做的調和。這些差異展現在她與書中其他角色的互動,透過分析此類外在因素我們會發現,伊莎貝兒實為擺盪於傳統與現代之間,並未執著於其中一方,且展現接受差異的靈活性。
除上述的外在因素外,時間與空間亦是影響伊莎貝兒形成的重要環節。我將會在第四章中先行定義本文中所要探討的時間與空間,並進行個別的討論與分析。此外,本章亦會對詹姆士的寫作與敘述方式做探討。
最後,在結論部分再次重申本文的主旨:伊莎貝為自我命運的形塑者。相較於從悲劇的角度閱讀伊莎貝兒的故事,本文提供讀者一個較為平衡的視角。此外,透過細察這些外在因素,讀者亦能了解到除了如精神分析之的內在閱讀以外,詹姆士的作品尚能透過外在的層面進行思考。
This thesis aims to analyze how Isabel Archer forms herself as the “fortune-hunter” in The Portrait of a Lady. The “fortune-hunter,” which means the controller of her destiny, is shaped by her interaction with the outside world. The incidents happening in the outside world are the major forces in the process of her formation. Thus, I will categorize these external forces into three groups and discuss them respectively in each chapter.
In Chapter II, I will study the intersection of American and European cultures by investigating the differences between them. In addition, I will also discuss why Henry James is concerned about the relationship between America and Europe. By looking at these facets, we may have a clear understanding of Isabel’s changes as well as James’s intention of displaying international themes in The Portrait of a Lady.
In Chapter III, I would like to analyze Isabel’s modulations of the differences between tradition and modernity. These differences are presented in her interaction with other characters. Significantly, swinging between tradition and modernity, Isabel does not stick to certain concepts in both sides; rather, she shows her flexibility.
As well as differences between cultures or tradition and modernity, time and space, which will be defined more clearly in Chapter IV, are also major forces from the outside world. In this section, I will not only focus on how time and space influence Isabel’s formation but also on James skills of writing and narration.
Finally, the conclusion reiterates the subject of this thesis: Isabel is a fortune-hunter in her own life. It gives readers a positive view of this novel, which is different from regarding Isabel’s life as a tragedy. Moreover, by scrutinizing the external forces, readers will have a new perspective, which will contribute to the reading of the novel as a whole.
Abstract---i
Chinese Abstract---ii
Acknowledgements---iii
Chapter I Introduction---1
Chapter II Intersection of American and European Cultures---15
Chapter III Modulation of Tradition and Modernity---34
Chapter IV Formulation of Time and Space---56
Chapter V Conclusion---75
Works Cited---83

Ash, Beth Sharon. “Frail Vessels and Vast Design: A Psychoanalytic Portrait of Isabel Archer.” New Essays on James’s The Portrait of a Lady. Cambridge: Cambridge UP, 1990. 123-62. Print.
Banta, Martha. “Men, Women, and the American Way.” The Cambridge Companion to Henry James. Ed. Jonathan Freedman. Cambridge: Cambridge UP, 2006. 21-39. Cambridge Companions Online. Web. 14 May 2015.
Baym, Nina. “Revision and Thematic Change in The Portrait of a Lady.” Isabel Archer. Ed. Harold Bloom. New York: Chelsea House Publishers, 1992. 119-30. Print.
Bazzanella, Dominic J. “The Conclusion to The Portrait of a Lady Re-examined.” American Literature 41.1 (March 1969): 55-63. JSTOR. Web. 25 Feb 2016.
Bell, Millicent. “Isabel Archer and the Affronting of Plot.” Meaning in Henry James. Cambridge: Harvard UP, 1991. 80-122. Print.
Berland, Alwyn. Culture and Conduct in the Novels of Henry James. Cambridge: Cambridge UP, 1981. Print.
Berman, Jessica. “Cosmopolitanism.” Henry James in Context. Ed. David McWhirter. Cambridge: Cambridge UP, 2010. 224-33. Print.
Chung, June Hee. “Money and Class.” Henry James in Context. Ed. McWhirter. Cambridge: Cambridge UP, 2010. 224-33. Print.
Cormier, Harvey. “Jamesian Pragmatism and Jamesian Realism.” The Henry James Review 18.3 (Fall 1997): 288-96. Project Muse. Web. 4 Dec 2015.
De Sousa Santos, Maria Irene Ramalho. “Isabel’s Freedom: Henry James’s The Portrait of a Lady.” Modern Critical Interpretations: Henry James’s The Portrait of a Lady. Ed. Harold Bloom. New York: Chelsea House Publishers, 1987. 117-29. Print.
Edel, Leon. Henry James: The Untried Years, 1843-1870. New York: Avon Books, 1978. Print.
Fessenbecker, Patrick. “Self-Obligation, and Selfhood in Henry James.” Nineteenth-Century Literature 66.1 (June 2011): 69-95. JSTOR. Web. 25 Feb 2016.
Forbes, Shannon. Women’s Transition from Victorian to Contemporary Identity as Portrayed in the Modern Novel. New York: The Edwin Mellen Press, 2006. Print.
Fromer, Julie E. “Tea, A Necessary Luxury: Culture, Consumption, and Identity.” A Necessary Luxury: Tea in Victorian England. Athens: Ohio UP, 2008. 1-25. Print.
Furth, David L. The Visionary Betrayed: Aesthetic Discontinuity in Henry James’s The American Scene. Cambridge: Harvard UP. 1979. Print.
Galloway, David. James: The Portrait of a Lady. London: Edward Arnold Ltd, 1967. Print.
Ganesan, S. “At the Transition Between Traditon and Modernity: The Indomitable Will in ‘The Portrait of a Lady’ and ‘Gangai Engey Pogirable?’” Indian Literature 54.5 (September/October 2010): 141-55. JSTOR. Web. 14 Apr 2016.
Gilmore, Michael T. “The Commodity World of The Portrait of a Lady.” The New England Quarterly 59.1 (March 1986): 51-74. JSTOR. Web. 25 Feb 2016.
Greene, Graham. “The Portrait of a Lady.” Henry James: The Portrait of a Lady. Ed. Robert D. Bamberg. New York: Norton, 1975. 667-71. Print.
Grenander, M.E., Rahn, Beverly J., and Valvo, Francine. “The Time-Scheme in The Portrait of a Lady.” American Literature 32.2 (May 1960): 127-35. JSTOR. Web. 29 Sep 2016.
Holland, Laurence B. “The Marriage.” Henry James: The Portrait of a Lady. Ed. Robert D. Bamberg. New York: Norton, Inc, 1975. 730-41. Print.
Izzo, Donatella. “The Portrait of a Lady and Modern Narrative.” New Essays on James’ The Portrait of a Lady. Cambridge: Cambridge UP, 1990. 33-48. Print.
James, Alan G. “A Memorable Naturalization: How Henry James Became a British Subject and Lost His United States Citizenship.” The Henry James Review 12.1 (Winter 1991): 55-68. Project Muse. Web. 18 May 2016.
James, Henry. Letters to Isabella Stewart Gardner. Ed. Rosella Mamoli Zorzi. London: Pushkin Press, 2009. Print.
---. “Preface to The Portrait of a Lady.” The Art of Criticism: Henry James on the Theory and the Practice of Fiction. Ed. William Veeder and Susan M, Griffin. Chicago: U of Chicago P, 1986. 286-99. Print.
---. “The Art of Fiction.” The English Novel: Developments in Criticism since Henry James. Ed. Stephen Hazell. London: Macmillan, 1978. 35-53. Print.
---. “The House of Fiction.” The English Novel: Developments in Criticism since Henry James. Ed. Stephen Hazell. London: Macmillan, 1978. 54-55. Print.
---. The Portrait of a Lady. London: Penguin Books, 1997. Print.
---. The Notebooks. Ed. F. O. Matthiessen and Kenneth B. Murdock. Chicago: U of Chicago P, 1981. Print.
Kettle, Arnold. “Henry James: The Portrait of a Lady.” Henry James: The Portrait of a Lady. Ed. Robert D. Bamberg. New York: Norton, Inc, 1975. 671-89. Print.
Lawrence, Kathleen Ann. “Osmond’s Complaint: Gilbert Osmond’s Mother and the Cultural Context of James’s The Portrait of a Lady.” The Henry James Review 26.1 (Winter 2005): 52-67. Project Muse. Web. 4 Dec 2015.
Lubin, David M. “Act of Portray.” Modern Critical Interpretations: Henry James’s The Portrait of a Lady. Ed. Harold Bloom. New York: Chelsea House Publishers, 1987. 99-115. Print.
Lustig, T.J. “The Chamber of Consciousness.” Henry James and the Ghostly. Cambridge: Cambridge UP, 2010. 50-104. Print.
Lynch, Deidre. “Time.” Henry James in Context. Ed. David McWhirter. Cambridge: Cambridge UP, 2010. 332-42. Print.
Miller, J. Hillis. “Time in Literature.” Daedalus 132.2 (Spring 2003): 86-97. JSTOR. Web. 29 Sep 2016.
Niemtzow, Annette. “Marriage and the New Woman in The Portrait of a Lady.” Isabel Archer. Ed. Harold Bloom. New York: Chelsea House Publishers, 1992. 104-17. Print.
Poirier, Richard. “Setting the Scene: The Drama and Comedy of Judgment.” Modern Critical Interpretations: Henry James’s The Portrait of a Lady. Ed. Harold Bloom. New York: Chelsea House Publishers, 1987. 15-37. Print.
Rowe, John Carlos. “Nationalism and imperialism.” Henry James in Context. Ed. McWhirter. Cambridge: Cambridge UP, 2010. 246-57. Print.
“Space.” Merriem-Webster Dictionary. Merriem-Webster: Dictionary and Thesaurus, http://www.merriam-webster.com. Web. 3 Oct 2016.
Tanner, Tony. Henry James: The Writer and His Work. Amherst: U of Massachusetts P, 1985. Print.
“Time.” Merriem-Webster Dictionary. Merriem-Webster: Dictionary and Thesaurus, http://www.merriam-webster.com. Web. 2 Oct 2016.
Wiesenfarth, Joseph. “A Woman in The Portrait of a Lady.” The Henry James Review 7.2-3 (Winter/Spring 1986): 18-28. Project Muse. Web. 13 Sep 2016.
Weisbuch, Robert. “Henry James and the Idea of Evil.” The Cambridge Companion to Henry James. Ed. Jonathan Freedman. Cambridge: Cambridge UP, 2006. 102-19. Cambridge Companions Online. Web. 14 May 2015.
論文全文檔清單如下︰
1.電子全文連結(1575.705K)
(電子全文 已開放)
 
 
 
 
第一頁 上一頁 下一頁 最後一頁 top
* *