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Works Cited
English Reference Baym, Nina, gen. ed. The Norton Anthology of American Literature. 7th ed. Vol. B. New York: Norton, 2007. Print. Butler, Judith. “Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory.” The Feminism and Visual Culture Reader. Ed Amelia Jones. New York: Routledge, 2010. Print. _____. Bodies that Matter: on the Discursive Limits of ‘Sex’. New York: Routledge, 1993. Print. Carlson, Marvin. “Performance and Identity.” Performance: a Critical Introduction. New York: Routledge, 2004. Print. Chang, Ivy I-chu. “Queer Politics, Sexual Anarchism, and Nationalism.” TDR: The Drama Review. 58.1 (2014). Chen, Kuan-hsing. Asia as Method: Toward Deimperialization. Durham and London: Duke University, 2010. Print. Chen, Liang-chun. “Theatre Representation of Sexual Plurality in Taiwan (1990-99).” MA Thesis. National Central University, 2008. Print. Diamond, Catherine. Actors are Madmen; Spectators are Fools: Taiwan Theatre 1988-98. Trans. Lu Chien-chung. Taipei: Bookman, 2000. Print. _____. “The Floating World of Nouveau Chinoiserie: Asian Orientalist Productions of Greek Tragedy.” New Theatre Quarterly. 15 (1999): 142-164. Print. Dolan, Jill. “The Discourse of Feminisms: the Spectator and Representation.” The Feminist Spectator as Critic. Michigan: University of Michigan, 1991. Print. Foucault, Michel. “Political Bodies.” Performance Analysis: An Introductory Coursebook. Ed. Colin Counsell and Laurie Wolf. New York: Routledge. 2001, Print. _____. Discipline and Punish: The Birth of the Prison. New York: Vintage, 1979. Print. Goffman, Erving. Stigma: Notes on the Management of Spoiled Identity. New York: Simon & Schuster, 1986. Print. Halberstam, Judith. “The Transgender Look.” The Feminism and Visual Culture Reader. Ed. Amelia Jones. New York: Routledge, 2010. Print. Holledge, Julie, and Joanne Tompkins. Women’s Intercultural Performance. New York: Routledge, 2000. Print. Meltzer, Milton. Emily Dickinson: a biography. Minneapolis: Twenty-First Century Books, 2006. Print. Pavis, Patrice. The Intercultural Performance Reader. London: Routledge, 1996. Print. Schechner, Richard. Performance Studies: an Introduction. London: Routledge, 2002. Print. _____. “Happenings.” Happenings and Other Acts. Ed. Manellen R. Standford. New York: Routledge, 1995. Print. Sontag, Susan. Alice in Bed. London: Vintage. 1994. Print. Srouse, Jean. Alice James: A Biography. New York: New York Review Books Classics, 2011. Print. Su, Pei-kai. “Belittling Little Theatre, Belittling Self: Wei Ying-chuan's Recent Works and the Post-Little Theatre Movement.” MA Thesis. National Central University, 2003. Print. Williams, Gary Jay: “Director, Text, Actor, and Performance in the Postmodern World.” Theatre Histories: An Introduction. New York: Routledge, 2010. Print.
Chinese Reference An, Yuan-liang 安原良. “Re-construction and Re-creation of Art” (藝術元素的重組與再製). Performing Arts Review. 91: 54-59. July 2000. Chang, Chia-fan 張佳棻. “Zen-Tze Theatre Laboratory: The Work of the Actor on Himself” (人子劇團:孤獨的表演者). Taipei Theatre Journal. 9: 21-38. Jan. 2009. Chen, Ping-Hsui 陳品秀. “Aesthetics of bodily movement, Gu Ming-shen and Wei Ying-chuan” (讓動作的歸動作—古名伸與魏瑛娟的動作美學). Performing Arts Review. 78: 9-11. 1999. Chi, Wei-jan 紀蔚然. “Investigation and Misunderstanding of Intercultural Theatre: the Explanation of Adapting Western Texts in Taiwanese Theatre ” (跨文化之正解與誤讀—台灣劇場改編西方正典之實驗意義). After Heterogeneity (眾聲喧嘩之後). Taipei: Bookman Books, 2008. Chou, Katherine Hui-ling 周慧玲. “Alice in Bed by Yen Hung-ya” (鴻鴻床上的愛麗思). Performing Arts Review. 117:36-37. Sep. 2002. ______. “Multiplicity in Taiwan Women Theatre Festival” (五花八門的『女』節). Performing Arts Review. 43: 65-66. May 1996. ______. “Deconstruction and Reorganization of Conception of History” (史觀的解構與重塑). Performing Arts Review. 91: 38-42. July 2000. ______. “Revolution or Resistance? Gender Performance from late Qing to Early Republican China” (革命或反革命?晚清到民初舞台上的性別表演). Performing Arts Review. 48: 40-46. Nov. 1996. Chung, Ming-der 鍾明德. The Little Theatre Movement of Taiwan (台灣小劇場運動史). Taipei: Yang Chih, 1999. Fu, Yue-an 傅月庵. “Adventure between Body and Language” (在肢體與文字之間遊戲). Performing Arts Review. 108: 70-71. Dec. 2001. Fu, Yu-hway 傅裕惠. “ Multifarious Gender Performance: Taiwanese Modern Theatre ” (也是一種「百花齊放」-試探台灣現代劇場創作中的性別議題展演). Forum in Women’s and Gender Studies. 73: 14-22. Jan.2005. Ho, Josephine 何春蕤. “The Em(bodi)ment of Identity: Constructing Transgender” (認同的「體」現:打造跨性別). Taiwan: A Radical Quarterly in Social Studies. 46: 8-10. Jun. 2002. Lee, Fu-ping 厲復平. “Revisiting Grotowski’s Theatre Practice and Theory” (再探葛羅托斯基劇場實踐與理論). Taipei Theatre Journal. 9: 7-20. Jan. 2009. Li, Yu 李漁. Silent Operas (無聲戲). Beijing: People’s Literature Publishing House. 1989. Sontag, Susan 蘇珊.桑塔格. Alice in Bed (床上的愛麗思). Trans. Huang Chi-hua黃翠華. Taipei: Tonsan. 2001. Tuan, Hsin-chun 段馨君. Gazing Upon Taiwan Contemporary Theatre: Feminist Theatre, Intercultural Theatre and Performance Workshop. (凝視臺灣當代劇場:女性劇場、跨文化劇場與表演工作坊). Taipei: Airti Press. 2010. Wang, David Der-wei 王德威. “Impersonating China: Gender, Performance, and National Identity” (粉墨中國:性別,表演,與國族認同). Journal of Theatre Studies. 2:169-208. July 2008. Weng, Yun-ting 翁筠婷. “Ethnic Chinese Queer Romance, an Interview with Director/Playwright Katherine Hui-ling Chou” (華人酷兒羅曼史的五款情深-專訪《少年金釵男孟母》編導周慧玲). Forum in Women’s and Gender Studies. 92:69-74. Apr. 2010. ______. “Drifting Spectacle: Chinese Queer Diaspora in He Is My Wife, He Is My Mother” (漂浪奇觀:《少年金釵男孟母》的華人酷兒離散). Cultural Studies Bimonthly. 123: 49-73. 2011. Yu, Shan-lu 于善祿. “Eleven Perspectives in Taiwanese Theatre in 2001” (觀看2001年劇場生態的十一個角度). Performing Arts YearBook. 21-23. 2001.
Filmography Aide-memoire pour le prochain millenaire-Mouvements (Gei Xia Yi Lun Tai Ping Cheng Shi De Bei Wang Lu—Dong Zou 給下一輪太平盛世的備忘錄—動作). Dir. Wei Ying-chuan 魏瑛娟. DVD. 2003. Alice in Bed (Chuang Shang De Ai Li Si 床上的愛麗思). Dir. Yen Hung-ya 閻鴻亞. DVD. 2002. Click, My Baby (Click, Bao Bei Er Click, 寶貝ㄦ). Dir. Katherine Hui-ling Chou 周慧玲. DVD. 2004. Déjà vu (Jing Yi Pai Dui 驚異派對). Dir. Katherine Hui-ling Chou 周慧玲. DVD. 2003. Emily Dickinson (Ai Mi Li 艾蜜莉). Dir. Wei Ying-chuan 魏瑛娟. DVD. 2003. European Dinner (Ou Feng Wan Can 歐風晚餐). Dir. Yen Hung-ya 閻鴻亞. DVD. 2002. He Is My Wife, He Is My Mother (Shao Nian Jin Chai Nan Meng Mu 少年金釵男孟母). Dir. Katherine Hui-ling Chou 周慧玲. Script and DVD. Taipei: Da Ke, 2010. I Want You, I Want You Not (Tian Liang Yi Qian Wo Yao Ni 天亮以前我要你). Dir. Katherine Hui-ling Chou 周慧玲. DVD. 2000. Le Testament de Montmartre (Meng Ma Te Yi Shu 蒙馬特遺書). Dir. Wei Ying-chuan 魏瑛娟. DVD. 2000. Love Scene Etude (Wen Yi Ai Qing Lian Xi Xi 文藝愛情練習戲). Dir. Wei Ying-chuan 魏瑛娟. DVD. 2002. Memorial Day in Far Away Place (Yuan Fang Ji Nian Ri 遠方紀念日). Dir. Yen Hung-ya 閻鴻亞. DVD. 2003. Memory Album (Ji Yi Xiang Bu記憶相簿). Dir. Katherine Hui-ling Chou 周慧玲. DVD. 2002. Performing Step by Step with Spring (Yu Chun Tian Tong Bu Yan Chu 與春天同步演出). Dir. Yen Hung-ya 閻鴻亞. DVD. 2002. Reel Murder (Ying Chi Mou Sha 影癡謀殺). Dir. Katherine Hui-ling Chou 周慧玲. DVD. 2005. Taiwan Dreams Episode I: Dream Hotel (Tai Wan Meng Shou Bu Qu: Xi Xia Lu Guan‧Hu Die Shu 台灣夢首部曲:西夏旅館‧蝴蝶書). Dir. Wei Ying-chuan 魏瑛娟. DVD. 2014. to be AND not to be (Bu San Bu Si Dao Tai Wan 不三不四到台灣). Dir. Katherine Hui-ling Chou 周慧玲. DVD. 2006. Unbalance (Dong Wai Xi Dao 東歪西倒). Dir. Wei Ying-chuan 魏瑛娟. DVD. 1999.
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