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The concept of Imagined Modernity comes from the orientalist view of postcolonial theory and the West in eyes by the East. Modernity has become a relative spectrum, and the "West" has become the representative of modernity. For the third world countries, it is necessary to face the late modern anxiety, and the urgent need to catch up with the dilemma, so the pace of replication of Western countries has become a fixed procedure, staring at the West and the West revealed modernity Impression as a basis for copying. In fact, it is a kind of imagination of modernity. In the spectrum of modernity, it will also link the advance to the western countries, but place itself in the backward side. When the modernity imagination is confined to the "West", then backward anxiety will always appear in the post-colonial society. By staring at the West, staring at themselves, and with the West projected over the line of sight, forming an indefinable but always Imagination of Modernity. Through analyzing the life experience of the three writers, the second chapter uses Hsu Chung-Pei to carry out the Imagined Modernity trajectory, and from the interaction between the May 4th Movement, the New Life Movement and the Chongqing Spirit, Showing the contradictions, it is deeply affected by nationalism. Hsu Chung-Pei to the British experience, but also prompted her to observe the practice of these ideas are the specific process and phenomenon, in the eyes of Hsu Chung-Pei, like the decline of the empire, the United Kingdom will be thrifty patriotic practice thoroughly, but almost no complaints in her eyes The modernity of civilization and progress does not lie in the material progress, but in how the whole country is faced with the present situation and the future, which is the main exposition of the nationalism and modernity imagination. In the third chapter, Ji Zheng, the representative of the American Dream, went to study in the United States, but unexpectedly moved from Taiwan's class center to the United States. When she took Taiwan society's collective expectation of the progress and development of civilization, Reality had to quietly tears. The dream of the American Dream is the result of modernity imagination concentrated on her. After modern materialistic imagination is satisfied, the pursuit of modernity at the spiritual level has been different from the Taiwanese society's collective American dream atmosphere. At the same time, the multiple factors of Ji zheng are pulled apart from each other, and the anxiety of the second generation of the other provinces is beginning to fall: the motherland (China), the place of growth (Taiwan) and the end of the country (the United States) ; And women's social limitations, making the lonely in different places and hard work is more prominent. The fourth chapter goes further to San-Mao's spiritual rebellious analysis, first of her early works and family books, put together her questions for the United States and cultural identity of China's identity, and then written in her desert and Ghana In the writing of the San-Mao show was watched - watch - reverse view of the triangle line of sight, showing the dual structure of multiple orientalism. San-Mao, in this environment, although the rebellious posture to the desert, but more or to prove that the self, the Taiwan existing (http://www.loveallnews.com/). The modernity of imagination and the way of studying abroad. At that time Taiwan's diplomatic difficulties, the economy so that the pursuit of spiritual freedom San-Mao, to identify themselves with the Chinese prose hot, then into a whirlwind of San-Mao, but also can see the text of San-Mao questioned the modernity of Taiwan society imagination still need to " "As an endorsement. This paper chooses three female writers' transcendental writing and life experiences to carry on the dialogue of modernity imagination. Through the process of crossing the border, we can feel the crossroads between "the West" and "the East", which is the relative position of the spectrum, and become a foreigner, and can clearly see the society of Taiwan and highlight the imagination of "modernity" . "Modern" is a relative concept, so in the interaction with other countries, feelings, shocks are conducive to understanding of post-colonial society, the anxiety of modernity, as well as the imagination connotation. The modernity imagination of the three people has the strong time factor, the root of Hsu Chung-Pei, the root of Ji zheng, the complex root of San-mao, the modernity imagination of three people, but still can not leave the context of post-colonial vision . The author combines the concept of modernity imagination into the writers and texts, tries to discuss the factors of the times and the text of symbolic state of mind, and points out that modernity imagination is not only the expectation of self-expectation and practice, With the sight and reflections of being viewed, transcending the identity between the subject and the other through the transcendental process, and more strikingly the traces of the imagination of modernity.
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