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“Shifa” is the divination of the book in the pre-Qin. The first half of the “four positions of trigrams”. Specifically, it concerned about the difference could relate to unique correspondence and interpretation of the context. The latter half of the “principle and background knowledge”, The interpretation of it focused on the time, space, human and matter and so on which could be regarded as the reference of the trigrams. This dissertation focuses on the “Shifa” of the “Tsinghua Bamboo Slips.” It mainly studies of the “four positions of trigrams” and the “principles and background knowledge”. Moreover, this dissertation also mentions about the property of “Zhouyi” and connotation of the “Rishu”. This essay can be divided into 5 chapters: chapter 1 is the research of the motivation, relating realms, methodology and literature review. Chapter 2 is the summary of the “Shifa”, especially, demonstrating the examples of the trigrams in which the first half of the “Shifa” and the principles and background knowledge which has been shown in the latter half of the “Shifa.” Chapter 3 is regarding the Collection Interpretation. Firstly, this essay collects the arguments of previous researchers. Secondly, comparing the difference of the arguments within the literature, then put forward the arguments and perspectives of this essay. The chapter 4 reveals the comprehensive discussion of the essay, which mainly analyses the application of the Digital Trigrams, structure and the principles and background knowledge. In addition, analyzing the relationship between the “Shifa” and the “Zhouyi”. The Conclusion in chapter 5 can be divided into 3 parts:the achievement of this research is the first part which reorganizing and synthesizing the research results and central argument that comes from the chapter 3 and 4. The second part of conclusion is about the unsolving issue of the “Shifa”. The prospect of the reaseach in the future will be exhibited in the last part.
Keywords: Shifa, Four Positions of Trigrams, Digital Trigrams and Zhouyi.
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