2019年底突如其來的COVID-19災變，對世界的衝擊非常具有顛覆性，它像管檢驗試劑的測試，凸顯了社會百態相關議題的特殊現象與不堪窘境，包括本研究所關注的台灣文化創意產業聚落微型企業承受此衝擊的起落。而基於長期與文創產業的接觸與粗淺的了解，特別想藉此疫情事件的發生來探討其業者全面性韌性的呈現。而選擇聚焦文創產業微型企業業者也是因其具有文化與社會意義的研究價值，尤其試圖了解研究對象在疫情下，兼顧生存掙扎與理念堅持的拉扯下，是如何經歷與過化此一危機？表現出的靈活性與彈性為何？

本研究是以胡賽爾現象學生活世界的理論為基礎，採現象學探究法分析流程的質性研究，共邀訪了二文創聚落園區的八位業者，於2022年12月起，為期近5個月的研究計畫訪談工作。而在完成訪談逐字稿文本之後，依研究方法與流程先行萃取各個意義單元與過渡到描述概念的歸納，是組合了包括各個文創聚落經營業者與聚落內微型企業業者的自由陳述。接著開始進行二階段的研究分析操作，首先就描述概念的內容，以COVID-19疫情前、中、後的三個時間向度架構，梳理在文創聚落內外是如何影響到韌性等觀點，分別就不同聚落受訪者的特質呈現進行詮釋，然後就上述的結果，依本研究的三研究目的之順序進一步作初步韌性相關的詮釋。之後則進入另一個三次還原分析的第二階段，即從描述概念一路還原到類目、因素與超因素，不斷抽離各段落的相關屬性，最後得以探究出背後的本質意義。

韌性雖然是人皆有之，但本研究發現到「韌性」的豐富內涵其實並不簡單。而在本研究選擇的文創場域、多元訪問對象與疫情時空的襯托下，也剛好能呈現出其背後較為深沉的意涵。而在本研究研究結果最後浮現的超因素有三：「成就自我實踐的人生自由」、「享受和諧共好的社會互動」與「擁抱韌性樂觀的生存美學」。

At the end of 2019, the sudden outbreak of COVID-19 had a profoundly disruptive impact on the world. Like a testing reagent for examining societies, it highlighted unique phenomena and challenges related to various social issues. This includes the rise and fall of micro-enterprises within Taiwan's cultural and creative industry clusters, a focal point of this study. Based on long term touching and a basic understanding of the cultural and creative industry, this research aims to explore the comprehensive resilience of industry entrepreneur in the face of the pandemic. The focus on micro-enterprises within the cultural and creative industry is driven by their cultural and social significance, especially in understanding how these entities navigate the crisis while balancing survival struggles and adherence to their ideals. What flexibility and resilience do they demonstrate?

This study is based on the theoretical framework of Husserl's phenomenology of the life-world, employing a qualitative research approach through phenomenological inquiry analysis. Involving interviews with eight entrepreneurs from two cultural and creative clusters, conducted over a period of nearly five months starting in December 2022. Following the completion of verbatim transcriptions of the interviews, the research method involved the extraction of various meaning units and transition to the inductive descriptive concepts. The participants included operators of cultural and creative clusters as well as micro-business entrepreneurs within the clusters, contributing their free narratives. Subsequently, a two-stage research analysis was conducted. Initially, the content of descriptive concepts was explored, structured along the three time stage : before, during, and after the COVID-19 pandemic. This analysis aimed to delineate how internal and external factors within and around cultural and creative clusters affected resilience. Interpretations were provided based on the characteristics of different cluster respondents, aligning with the three research objectives in the specified order. The study then progressed to the second stage of a threefold reduction analysis, tracing back from descriptive concepts to categories, factors, and super-factors. Relevant attributes were continuously extracted from each paragraph, ultimately allowing for the exploration of the underlying essence.

While resilience is inherent in individuals, this research reveals that the richness of the concept is far from simple. In the chosen field of cultural and creative domains, diverse interviewees, and the contextual backdrop of the pandemic, the study was able to present deeper meanings. The three emergent super-factors in the study are "achieving life freedom through self-practice," "enjoying harmonious social interactions," and "embracing the Aesthetics of Existence of resilient optimism."

第一章 緒論 ................................................. 1
第一節 研究動機及目的 ....................................... 1
第二節 研究範圍 ............................................. 7
第二章 文獻探討 .............................................. 9
第一節 文化創意產業與文創聚落 ............................... 9
第二節 災害與韌性理論 ....................................... 16
第三節 現象學的思考與方法.................................... 24
第三章 研究規劃與設計 ......................................... 29
第一節 研究構想與過往認知 ................................... 29
第二節 現象學探究法 ......................................... 31
第三節 研究架構與流程 ....................................... 34
第四節 研究方法 ............................................. 36
第四章 研究分析：韌性闡述 ...................................... 46
第一節 從意義單元到描述概念的萃取 ............................. 46
第二節 描述概念相關韌性梳理 .................................. 150
第五章 研究分析：還原分析 ...................................... 162
第一節 從描述概念還原到類目 .................................. 162
第二節 從類目還原到因素 ...................................... 172
第三節 從因素還原到超因素 .................................... 177
第六章 結論 .................................................. 182
第一節 研究結論 ............................................. 182
第二節 研究限制 ............................................. 189
附錄一 研究邀請函 ............................................. 190
參考文獻 ...................................................... 191

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