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Before stepping into the field of artistic creation, the author studied in the Department of Medical Management, and then a lot of doubts arose about the public's belief that after seeing a doctor and taking medicine, the public should be able to heal. The reason for choosing this topic comes from often I saw the medicines that were left unused because they were not taken at home. The remaining medicines and prescriptions are like waiting for the opportunity to be used again. This kind of contradiction is afraid of eating too much and hurting the body but thinking that it is a pity to discard it. No matter whether it is in the spirit or in life, the ideas have a great impact on people invisibly. Therefore, the author takes this phenomenon as the direction of creation and integrates glass art creation into contemporary life.
Although the working population of the related industries of glass art creation is gradually decreasing, glass is still a favorite material for many people. The reason is nothing more than being attracted by its unique and mysterious characteristics. The transparency of glass material and the twists and turns that occur after interaction with light are a major feature irreplaceable by other media.
This dissertation reflects on the relationship between medicine and food by exploring the theory of the homology of medicine and food, and discusses the characteristics of neurolinearity in the human body. The linearity penetrates between people and medicine, and the creation is further integrated through the fragility of glass material. To analyze the techniques that can produce the linear characteristics and structure of the glass, the author created the following three series of works with the techniques of freehand blowing and solid shaping: the series of 「curing fruit」、「message」 and 「variation」, presenting the theme 「MIND OUT」 .
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