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大戸朋子、伊藤泰信
2019 二次創作コミュニティにおける「愛」をめぐる闘争と調停。コンタクト・ゾーン Contact zone (2019)11:207- 232。
立石祥子
2017 パブリック・ビューイング : メディア・イベントの再イベント化。刊於現代メディア.イベント論：パブリック.ビューイングからゲーム実況まで，飯田豊、立石祥子主編，頁 1-35。東京：勁草書房。
加藤裕康
2017 ゲーム実況イベント──ゲームセンターにおける実況の成立を手がかりに。刊於現代メディア.イベント論：パブリック.ビューイングからゲーム実況まで，飯田豊、立石祥子主編，頁 109-151。東京：勁草書房。
池村聡
2017 Some Topics Relating to 'Secondary Creation' and 'Copyright'. 京女法学 Kyojo hougaku: Kyojo journal of law and politics (11):19-33.
沈芳稘
2010 網路同人誌創作動機之研究，大葉大學資訊管理學系碩士論文。
東園子
2010 妄想の共同体――〈やおい〉コミュニティにおける恋愛コードの機能。刊於思想地図（vol．5）特集・社会の批評。東浩紀主編，頁 249-274。東京：NHK 出版。
柯舜智
2012 電視不逝，只是轉形：從科技觀點再論電視與社會的互動。中華傳播學刊(22):19-44。
黃上銓
2016 有沒有鄉民總是有新梗的八卦？。刊於婉君妳好嗎?：給覺醒鄉民的PTT進化史，黃厚銘主編，頁 117-170。新北市新店區：群學。
黃令瑜
2018 2011-2016 年臺灣 Twitch 繁中區實況主的生存策略。交通大學人文社會學系族群與文化碩士班碩士論文。
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2017 遊戲實況的粉絲經濟及其矛盾。台灣大學社會科學院社會學系碩士論文。
蔡昀霆
2017 串流玩轉：論電子遊戲實況的嬉戲與遊戲。國立政治大學社會學系碩士論文。
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2020 Playful Participatory Practices: Theoretical and Methodological Reflections. Basingstoke: Springer Nature.
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2012 Afterword. In Human No More: Digital Subjectivities, Unhuman Subjects, and the End of Anthropology. Neil L. Whitehead and Michael Wesch, ed. Pp. 231-234. Boulder: University Press of Colorado.
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2002 Realizing community: concepts, social relationships and sentiments. London: Routledge.
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2015 Play in the Peter Pan ape. Current Biology 25(1):R24-R27.
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2011 4chan and /b/: An Analysis of Anonymity and Ephemerality in a Large Online Community. Proceedings of the International AAAI Conference on Web and Social Media 5(1):50-57.
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2008 Coming of age in Second Life : An anthropologist explores the virtually human. Princeton: Princeton University Press.
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2012 Ethnography and virtual worlds: A Handbook of Methods. New Jersey: Princeton University Press.
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2015 #Ferguson: Digital protest, hashtag ethnography, and the racial politics of social media in the United States. American Ethnologist 42(1):4-17.
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2006 The Games We Play Online and Offline: Making Wang-tta in Korea. Popular Communication 4(3):225-239.
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1997 Spatial practices: fieldwork, travel, and the disciplining of anthropology. In Anthropological locations: boundaries and grounds of a field science. Akhil Gupta, and James Ferguson, eds. Pp. 185-222. Berkeley: University of California Press.
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2012 Coding Freedom. Princeton, New Jersey: Princeton University Press.
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2012 The Mutual Co-Construction of Online and Onground in Cyborganic. In Human No More: Digital Subjectivities, Unhuman Subjects, and the End of Anthropology. Neil L. Whitehead and Michael Wesch, ed. Pp. 11-32. Boulder: University Press of Colorado.
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2016 Relationships: Kinship, Family and Friends. In Social Media in Southeast Turkey, 3 Pp. 81-102: UCL Press.
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2016 The Ethnographic Use of Facebook in Everyday Life. Anthropological Forum 26(1):96-114.
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2016 Thick Photography. Journal of Material Culture 21(1):111-132.
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2004 Where the action is: the foundations of embodied interaction. Cambridge, MA: MIT press.
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2012 Design Anthropology: Working on, with and for Digital Technologies. In Digital Anthropology. Heather A. Horst, and Daniel Miller, eds. Pp. 245-265. London New York : Berg.
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2010 The chorus of the dead: roles, identity formation, and ritual processes inside a FPS multiplayer online game. In Utopic Dreams and Apocalyptic Fantasies: Critical Approaches to Researching Video Game Play. David G. Embrick and Andras Lukacs J. Talmadge Wright, eds. Lanham: Lexington Books.
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2015 嘉年華的誕生：慶典、舞會、演唱會、運動會如何翻轉全世界 Dancing in the streets: A history of collective joy，胡訢諄譯。新北市：左岸文化出版。
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2010 The Breakup 2.0. New York: Cornell University Press.
2011 Un-friend My Heart: Facebook, promiscuity, and heartbreak in a neoliberal age. Anthropological Quarterly:865-894.
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Hamilton, William A., Oliver Garretson, and Andruid Kerne
2014 Streaming on twitch: fostering participatory communities of play within live mixed media. Paper presented at Proceedings of the SIGCHI conference on human factors in computing systems.
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2000 Virtual Ethnography. London: SAGE.
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2005 From Kinship to Link‐up: Cell Phones and Social Networking in Jamaica. Current Anthropology 46:755-778.
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2006 Convergence culture where old and new media collide. New York: New York University Press.
2009 What Happened Before YouTube. In YouTube: Online Video and Participatory Culture. Jean Green Burgess, Joshua, eds. Pp. 109-125. Malden, MA: Polity Press.
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Jenkins, Henry., Sam Ford, and Joshua Green
2013 Spreadable media: creating value and meaning in a networked culture. New York: New York University Press.
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2005 Half-real: Video games between real rules and fictional worlds. Cambridge, MA: MIT Press.
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2016 Smart global futures: Designing affordable materialities for a better life. In Digital materialities: design and anthropology. Sarah Pink, Elisenda Ardevol, and Debora Lanzeni, eds. Pp. 45-60. London: Bloomsbury.
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1997 Carne, carnales, and the carnivalesque : Bakhtinian batos, disorder, and narrative discourses. In Situated lives: gender and culture in everyday life. Louise Lamphere, Helena Ragoné, and Patricia Zavella, eds. Pp. 62-82. New York: Routledge.
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2009 Anthropology and play: The contours of playful experience. New Literary History 40(1):205-218.
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2013 Playful Participatory Culture: Learning from Reddit. AoIR Selected Papers of Internet Research. Pieterlen and Bern: Peter Lang Inc.
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2010 My life as a night elf priest: An anthropological account of World of Warcraft. Ann Arbor, Michigan: University of Michigan Press.
2015 Virtuality. Annual Review of Anthropology 44:15-31.
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2006 Strangers and friends: Collaborative play in World of Warcraft. Paper presented at Proceedings of the 2006 20th anniversary conference on Computer supported cooperative work.
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2010 Digital imaginaries: How we know what we (think we) know about Chinese gold farming. First Monday 15.
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2016 Digital ethnography: principles and practice. Los Angles: Sage.
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2019 Saturated and Situated: Expanding the Meaning of Media in the Routines of Everyday Life. In Media, Culture & Society 35(6): 677–691.
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2010 Computer Game Mods, Modders, Modding, and the Mod Scene. First Monday 15.
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2020 Ecologies of Friends: Boy Masters of Craft, Live-Streaming Jocks, and Pockets of Others. In Playful Participatory Practices: Theoretical and Methodological Reflections. Pablo Abend, Benjamin Beil, and Vanessa Ossa, eds. Basingstoke: Springer Nature.
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2007 Remediation and Local Globalizations: How Taiwan's "Digital Video Knights-Errant Puppetry" Writes the History of the New Media in Chinese. Cultural Anthropology 22(2):285-313.
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2017 Why do people watch others play video games? An empirical study on the motivations of Twitch users. Computers in Human Behavior 75:985-996.
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2018 Watch Me Play: Twitch and the Rise of Game Live Streaming. New Jersey: Princeton University Press.
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2014 Watching Us Play: Postures and Platforms of Live Streaming. Surveillance & Society 12:437-442.
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